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Review of several new books for gear engineers.
From time to time, the editors of "Shop Floor" receive correspondence from readers relating to particular articles they have written for past issues. As one of the purposes of this column is to provide a forum for the exchange of ideas, we reproduce here two of these letters and their replies. The subject of the first is the functional measurement of gears. (See Gear Technology, Sept/Oct, 1991, p. 17) Robert E. Smith writes the reply.
When I was new to gear engineering, I found the array of gear literature scare, and the information scattered and conflicting. After investigating the materials available, I set the goal of creating an annotated listing of the references. There are many valuable resources, but for this article I have selected ten of the best. These references, in my opinion, are the most useful, and cover the scope while minimizing redundancy.
Gearing is a self-training course for teaching the basic fundamentals of gears and gearing to those totally unfamiliar with the subject.
The complete Industry News section from the September 2013 issue of Gear Technology.
This textbook, written for college level engineering students, gives a basic grounding in the complexities of product liability law. It also provides useful information to those of us involved in the manufacturing of gears and gear systems in that the fundamental concepts apply to all types of manufacturers.
Your Addendum team has come across a number of Good Ole Boys in its time; now we bring you something of even more interest - a Good Ole Gear Book. Mr. Robert Price, of Automation - Gears - Machinery, a gear consulting firm in Delanson, NY, shared with us a real find.
This book is written for those among us, with or without a technical background, who have an occasional need to use, purchase or specify gears. The author assumes an audience that is not made up of experienced gear designers, but of people who do need to have a basic understanding of the criteria used by the designer. The subjects covered include not only the gears themselves, but their manufacturing methods, the systems that contain them and the terms used to describe them.
Machinery's Handbook 25 by Erik Oberg, Franklin D. Jones, Holbrook L. Horton & Henry H. Ryffel, Reobert E. Green, ed., Industrial Press Inc., New York, NY, 1996 ISBA 0-8311-2424-5, $75.00 (Large Print Version, $95.00).
Investigation of Gear Rattle Phenomena The article by Messrs. Rust, Brandl and Thien was very interesting in its description of the problem and of some of the interactions which occur.
Notes from Detroit...Overall, Gear Expo 97, the AGMA biennial trade show, was a success. While attendance may not have been what some people had hoped for, the quality of the attendees was high. Serious buyers came and brought their checkbooks.
The Society of Manufacturing Engineers (SME) has been gathering, validating and sharing manufacturing knowledge for more than 80 years. Traditionally, SME resources were purchased by individuals for their own personal use or by colleges and universities as textbooks. Recently, these same colleges and universities were looking for digital resources to provide to their instructors and students. Companies were requesting SME content digitally for their employees as well.
For many years, when gear engineers have been confronted with tough problems either in the field or on the drawing board, one of the inevitable suggestions has been, "Ask Darle Dudley," or "Check the Dudley book." That's not surprising. With more than fifty years' experience in gear design and credits for five books (with translations in French, German, Spanish and Italian), numerous papers, lectures, and patents, and a worldwide reputation as a gear expert, Darle Dudley's position as one of the men to ask when dealing with knotty gear problems is unassailable.
Most firms in the gear industry we've talked to over the past year are making more gears than ever, generating more sales, and filling up their schedule books into next year and beyond.
Whether consumed by its romantic charm or simply a casual fan of its Victorian sensibilities, there’s a growing interest in all things steampunk lately. From books, television and films to music, art and design, the desire to ‘reclaim technology’ is getting closer and closer to mainstream pop culture. Wherever you find steampunk, you’ll undoubtedly find a gear or two not far behind.
These lines, interesting enough, are from the notebooks of an artist whose images are part of the basic iconography of Western culture. Even people who have never set foot in a museum and wouldn't know a painting by Corregio from a sculpture by Calder, recognize the Mona Lisa. But Leonardo da Vinci was much more than an artist. He was also a man of science who worked in anatomy, botany, cartography, geology, mathematics, aeronautics, optics, mechanics, astronomy, hydraulics, sonics, civil engineering, weaponry and city planning. There was little in nature that did not interest Leonardo enough to at least make a sketch of it. Much of it became a matter of lifelong study. The breadth of his interests, knowledge, foresight, innovation and imagination is difficult to grasp.